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KÜNSTLER - KonzertSaison 2022




Wiener Winter - dann träumt man sich auf Reisen ans Meer und zur Sonne und hat gleich die Saudade...
...die Saudade, die auf einzigartige Weise im Portugiesischen Fado wunderbar in unsere Herzen steigt, sich dort tief verankert und nie wieder die Schönheiten Portugals vergessen lässt. 

Am 28.Jänner 2023 kommt einer der ganz großen Fadomusiker zu uns nach Wien: 
JORGE FERNANDO begleitet seine Großvater schon mit 4 Jahren beim Fado-Singen. 
Später trat er mit der weltberühmten Amália Rodrigues auf und produziert unzählige Alben, ab 1982 fast jährlich eines. 
Auch auf vielen Festivals spielte er und bekam unzählige Auszeichnungen für seine herausragende Leistungen als Komponist, Musiker, Sänger, Produzent und Fadomeister. 
Mit zahlreichen seiner Songkompositionen oder Duette erlangte mancher Fadostern zu unverkennbaren Ruhm. Er ist einer der meistgesungenen Komponisten portugiesischer Musik und mancher Song davon erlangte Weltberühmtheit, wie zum Beispiel "Chuva" von Mariza unverkennbar gesungen oder Liedtexte wie "Para Além da Saudade" interpretiert von Ana Moura und noch viele andere mehr. 
Kenner wissen, dass er mit unzähligen großartigen Musikern und Musikerinnen auf der Bühne stand und das Publikum begeisterte. Hier in Wien wird er mit einer sehr außergewöhnlichen Interpretin des Fados, der bekannten portugiesischen Sängerin FÁBIA REBORDãO im wunderschönen Ehrbarsaal auftreten. 
Sie gilt einhellig als eine Referenzstimme des Fado Novo. Schon mit 15 Jahren verliebt sie sich in den Fado und sang professionell in typischen Häusern des Fado. Aber sie beweist auf ihrem Entwicklungsweg als Sängerin Vielseitigkeit und ist auch nicht gefeit vor musikalischen Einflüssen des Soul, Bossa Nova, Morna, Blues, Jazz bis hin zur Klassik und Oper. Sie singt seit Jahrzehnten auf großen Konzerten und namenhaften renommierten Festivals. 
2011 veröffentlichte sie ihr Debütalbum gemeinsam mit Jorge Fernando und wurde promt von Weltberühmtheiten wie z.B. Mariza, gebeten mit auf ihrer Bühne zu stehen. Nun winkten Auszeichnungen und Anerkennungen, während sie ihren Fado ständig verfeinerte und zu einer einzigartigen, unverkennbaren Kunst weiterentwickelte. Sie präsentierte weitere Alben mit Jorge Fernando und anderen großartigen Künstlern, und entwickelte so ihre eigene Klangidentität, die die Seele des Fado mit anderen musikalischen Referenzen vereint. 

Freuen wir uns also auf einen Hochgenuss portugiesischer Weltkultur, einen Abend voller nostalgischer aber auch fröhlicher, hingebungsvoller Saudadelieder!
....und schon wird es uns warm ums Herz und der Winter lässt den Frühling in Aussicht gehen!


Ihr Moment Musical Team


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To Fábia Rebordão, fado is a way of singing life, a life made of moments full of truth. In fact, to Fábia Rebordão, fado means truth – and, if she’s singing truthfully, she will always be singing fado. 


At school, when she was six years old, she was chosen to perform at a Christmas Party and, immediately, music became her focus and her calling. Spoons were used as microphones and glass windows were the perfect instrument to throw back her voice. At night, she used to close her eyes and get carried away by imaginary ovations, the perfect heading to dreamland. When asked what she wanted to become, the answer was plain and simple: she wanted to sing. One day, a neighbour is imperative when declaring “you have a fado voice”, giving her a challenge: if she’d learn how to sing two fados, he would take her, for the first time, to Tasca do Chico. 


The experience is so overwhelming that, in the same night, she sings at several other surrounding fado places. Her life would never be the same: she will be frequent visit to local associations and typical taverns, places where she will discover the true essence of fado. When she’s 14 years old, she’s already singing at Ferreiras but also at Taverna do Embuçado. She didn’t go to college but studied with the highest professors, from Fernando Maurício to Beatriz da Conceição, Celeste Rodrigues or Paquito. 


But to Fábia Rebordão music never expired just in fado: after being casted in the musical “My Fair Lady”, directed by Filipe La Féria, when she’s 17 years old, her eagerness to learn makes her take part, in 2003, in “Operação Triunfo”, a TV singing contest. Eclectic, versatile, always curious, she even dives in the acting world, being part of the cast of “O Clube”, a TV drama series. 


Breaking free from any kind of ties that might narrow her sight, she becomes interested in all kind of roots music, whether you’re talking about flamenco or blues, jazz or folklore, samba or morna. What matters to her are the rhythms that are born on the streets and give her chills, that exude truth. As fado does. In 2011, her first lyrics, “Quem Em Mim Habita”, written for a music composed by Alfredo Marceneiro, is also the motto for her first record: “A Oitava Cor” isn’t just her debut – it’s also the document where she fully presents herself. Five years later, she returns with “Eu”, the record in which she sings the work of Tozé Brito or Pedro da Silva Martins but also where she becomes even more powerful as a composer. Much more than just a performer, Fábia Rebordão is the author whose words have already been sung by people like Miguel Ramos, Jorge Fernando or Cuca Roseta. 


Praises start to pile up: she’s honored with the Amalia Award for Best New Artist, the same recognition given by the highly esteemed weekly newspaper Expresso. At the same time, she starts performing at the most important theaters all over the world, like Carnegie Hall, in New York, or Concertgebouw, in Amsterdam, with a symphonic orchestra directed by award-winning maestro and producer, Vince Mendoza. 


Fabia Rebordão’s approach to “Estranha Forma de Vida”, a classic fado from Amália Rodrigues’ repertoire, is revealed in March of 2020, both celebrating her birthday and honoring one of her main influences and she’s one of the singers chosen to perform in the biggest celebration of Amália’s centenary birthday, in July, on the show “Bem-vinda Sejas Amália”. But “Estranha Forma de Vida” is also the first step towards her new album and her biggest challenge ever. 


Never has Fábia Rebordão been so self-assured, complete and certain. She’s never been as whole, while uttering timeless words or expressing the stories carried on her own songs – and never has she revealed herself like now. Her comeback is also her most ambitious work, meticulous, full with detail and truth. Her truth as a performer, of course, but most of all as an author. An author that, in her own lyrics and melodies, reveals a unique soul. And when that kind of soul shows up, it can only speak truthfully, the same truth that you will only find in fado – and in Fábia Rebordão. 

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Jorge Fernando is a musician, fado singer and producer. He is one of the most sung composers of Portuguese music and author of hits such as "Boa noite solidão", "Búzios", "Quem vai ao fado" or "Chuva".

Jorge Fernando da Silva Nunes was born in Lisbon on March 8, 1957.

At the age of four, he already accompanied his grandfather singing fado [Ti Preciosa's husband even accompanied Amália Rodrigues] on the nights in Lisbon. But it was at the age of 16 that he had his first real experience, when he worked with Fernando Maurício, considered the "king" of fado. There he definitely left his footballing career behind, where he reached the junior international.

He was rehearsing in a garage (he was part of the "Futuro" group) and he was told that the singer Fernando Maurício was nearby. I wanted to meet him and once he heard him it was an absolute passion. A little while later Jorge was playing for him.

In the 1970s, he recorded for the Alvorada label the single "Trigueirinha" and another with the themes "Se Me Pedisses Desculpa" and "Semente do Amor".

At the age of 19, he met Alcino Frazão, one of the greatest guitarists in the history of fado, and started playing with him. A year later he was already part of Amália's group after he replaced Alcino Frazão in a performance with Carlos Gonçalves and he invited him to play with Amália Rodrigues.

In 1982 he participated in the album "Fado!" scored by Nuno da Câmara Pereira.

He competed for the Festival RTP da Canção with "White Roses for My Love" in 1983. Despite the low rating, the theme had a great public exposure.

He plays and writes three songs from the album "Sonho Menino" by Nuno da Câmara Pereira.

In 1984 he released the single "Fiz-me Vagabundo". and, with the song "Umbadá" he returns to the 1985 Festival RTP da Canção. He also participates in the OTI Festival.

In 1986, his first LP, "Enamorado" was published, which included themes such as "Mulata" and "Lua Feiticeira Nua".

In 1988 he released the album "Coisas da Vida". Rádio Comercial, by public vote, gives it the Popularity Award.

In 1989 he released his first fado album, "Boa Noite Solidão", in which Fernando Maurício, Maria da Fé and José Manuel Barreto collaborated. Includes themes like "Pode ser saudade" and "Quem vai ao fado".

Participates in the 1990 Festival RTP da Canção with "Via Área".

The album "À Tua Porta" was released in 1991. He produced the album "Notas sobre a alma" by Paulo Bragança and "Notas à Guitarra" by António Pinto Basto.

"Oxála" is published in 1993, a disc highly praised by critics.

In 1997 he released the album "Terra d'Água" and, two years later, "Rumo Ao Sul".

In 2000, the album "Inéditos" was released, recorded live at Tivoli Theatre and, in May 2000, he celebrated his 25th career with a concert in the same venue.

In 2001 the book + disc "Terras do Risco" was released, a project by the Italian pianist Arrigo Cappelletti with poems by Fernando Pessoa, Mário Sá-Carneiro and Eugénio de Andrade. The other co-workers are bandoneonist Daniel di Bonaventura, guitarist Flavio Minardo, cellist Davide Zacharia, Custódio Castelo, on Portuguese guitar and singer Alexandra.

The album "Velho Fado" is published in 2002. On the following year, the Italian city of Recanati honored him in recognition of his talent as a singer, producer, instrumentalist and promoter of new talents (Academia de Marco Poeta).

In January 2004 he is the musical director of the show "Boa Noite Solidão" in honor of Fernando Mauricio and he also participates in the album "A Tribute To Amalia Rodrigues".

In his work "Memória e Fado" he presents some curious duets and collaborations (Lucio Dalla, Ana Moura, Toninho Horta, Egberto Gismonti). Recorded in Portugal and Brazil, the disc also contains four versions. The biggest highlight is an excerpt from a live performance by Amália Rodrigues, recorded in 1994, with the theme "Vida".

In October 2005, he celebrated his 30-year career with a concert at Forum Lisboa, with the participation of Argentina Santos and Celeste Rodrigues.

He collaborates with the rapper Sam The Kid with whom he performs at the 2008 Festas de Lisboa. In addition to the band Sam the Kid, on stage were Custódio Castelo (Portuguese guitar) and Filipe Larsen (bass guitar).

"Vida" was published in 2009, and features several national and international artists, namely: Sam the Kid, Fábia Rebordão, Ana Moura, Marcio Montarroyos, Daniel di Bonaventura and Lucio Dalla. The album also features an unprecedented duet with Amália Rodrigues, recorded at the singer 's home in 1996.

In 2012 the album "Chamamele Fado" is released, in which we can find, once again, several participations of guest artists, Dino Santiago, Guilherme Banza, Nu Soul Family, Fausto Bordalo Dias and Expensive Soul.


On February 18, 2016, he was decorated by the President of the Portuguese Republic with the Order of Infante D. Henrique.

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Guitarra Portuguesa




Claudio Sanna, pianoforte

Marco Ligas, violino

Donatella Parodi, viola

Giuseppe Fadda, violoncello

Luca Ghidini, contrabbasso

The Ars Musicandi Ensemble was founded in 1994 within the Musicando Insieme Association. 


Various conductors and soloists collaborate in the programming of the Ars Musicandi Ensemble, mainly oriented towards a careful study of the Baroque repertoire. 

Parallel to the chamber ensemble, the various musicians carry out an activity aimed at stylistic and philological research in the classical and romantic repertoire with small ensembles and a staff extended to wind instruments. T

he quintet is made up of the first parts of the chamber orchestra and the different professional experiences of its members give the quintet, on this occasion with the pianist Claudio Sanna, great versatility and flexibility.
All the elements of the quintet, independently, include professional collaborations with renowned orchestras and conductors.
The Ars Musicandi Ensemble has toured in France, Japan, Malta, Spain and the United Kingdom, always enjoying great acclaim from the public and critics.


“The world’s best dancer,” as the Paris daily Liberation has referred to him, Pablo Veron is one of the tango’s most celebrated ambassadors. 

His unique dance style has earned him the respect of tango dancers of all ages worldwide. 

Widely recognized as the key figure in the modernization and renewed popularity of the sensual dance from Buenos Aires, “Pablo Veron has the feet of God,” according to the New York Times. 

As a choreographer and performer, he has participated in countless tango shows across the globe, including the legendary, award-winning Tango Argentino, and has danced for figures as prestigious as President Bill Clinton in the White House. He has shared the big screen with Hollywood stars like Johnny Depp, Robert Duvall and Kirsten Dunst in the following films: The Tango Lesson (in which he danced, choreographed and played the leading role), The Man Who Cried, Assassination Tango, Upside Down and Nuestro Ultimo Tango. 

Pablo also starred in the successful multimedia production Tanghost and composed the music for his fusion concert Millennium Tango. His incredible work as a choreographer and performer has earned him many accolades, including the American Choreography Award, a grant from the prestigious Guggenheim Foundation, and a prize from the Argentine Society of Authors and Composers (SADAIC) for sharing Argentine culture abroad. 


In a career that has spanned more than three decades, Pablo has developed his own personal teaching method to convey the profound and subtle art of the dance. 

Between rehearsals and performances, he offers workshops and intensive seminars in cities worldwide.


Started at an early age her dance education in Classical dances, Jazz, Spanish dances,
Argentinian “folcklore” and Contemporary dance and from age 13 Argentine Tango.

Ending her studies at 2001, she perfects in Contemporary dance, “Tango Salon” and
“Tango Escenario” with renowned tango teachers.
Carolina Giannini has performed, as a professional Tango Dancer, in Dance Theaters, Concert
Halls, Universities, Radios and TV programs, in different countries of the five continents, the most famous were the “ Peacock Theater”, “Sadlers Wells” in London; “Joyce Theater” in NY, “Teatro Victoria” in Barcelona; “Walt Disney Concert Hall” in Los Angeles, USA; Petronas Filharmonik Hall de Kuala Lumpur, Malasya; “Shangai Oriental Arts Center” , Shangai; “Badminton Theater” in Athenas; “Foile Bergére” in Paris; “Sala Kongresowa” in Warsaw; at TV: BBC from London, Sky News (Sky TV London), “Good day NY” (Fox NY), “Antenna 3” (Spain), “Toca a Mexer” (TV Sic, Portugal). As part of the ballet of Aída V. Mastrazzi School, at theater such as “San Martín”, “De la Rivera” in Buenos Aires city, among others.
She joined the steady performers of the emblematic houses of Tango Shows: “Piazzolla Tango”, “Tango Porteño”, “Metro Theater”, “La Ventana” “ El Viejo Almacén”, “Taconeando”, “La Vereda de Beba”, “Legendaria de Buenos Aires”, “Boca Tango” , “Sr. Tango”, “Pasión de Tango”, “La  Manufactura Papelera”, “Café Tortoni” and  was part of the companies Min-On Concerts Association, El viejo Almacén Tours, Compañía Tango Fire, Compañía Tango Inferno (Primer Bailarina), Compañía Tango Pasión, Compañía Fusion Tango- Tanguardia.

She currently participates in international and private events for different international and
national companies, and give seminars of Tango Salón, Tango Escenario, and performs at different Schools, Milongas and Tango festivals around the world.


Angelika is a professional contemporary dancer, performer, choreographer and teacher. She received her dance education in New York City, studying modern and contemporary dance at the Alvin Ailey Amercian Dance School, at Movement Research, at Dance Space Center and classical Ballet with Zvi Gotheiner.

After her dance training, Angelika became a member of various dance companies in theaters such as Staatstheater Kassel, Staatstheater Oldenburg, Theater Osnabrück, Theater Freiburg/Heidelberg. As a freelancer, she has worked across Europe, USA and Korea with many different choreographers and directors.

In 2011, Angelika was a DanceWEB scholar at the Impulstanz Festival Vienna and has since then been teaching at dance festivals, companies and education institutions (HZT Berlin etc).

She is part of the guest faculty at SEAD (Salzburg Experimental Academy of Dance) since 2020 and is an MFA student (performing arts) at the University of Gothenburg, Sweden.

Due to her focus of interest in partnering work, she became fond of Tango, which she started studying more deeply. Her fascination of its complex and expressive kinetic vocabulary brought her to Buenos Aires to learn from teachers such as Valencia Batiuk, Gustavo Naveira among others. In Tango, Angelika perceives the essence of polarity through structure and freedom, communication and silence, individuality and connection. 

In 2014 she met Giorgos Protopappas, with whom she started researching and teaching.

Together, they are developing SOMAFI, a practice merging body awareness, contemporary partnering, contact-improvisation and Tango-elements into one holistic movement system. Additionally, Angelika is a shiatsu practitioner and yoga teacher.


Rosa Ginger Berg's entire life has always been devoted to art and dance in the most varied ways. She studied sculpture with Michelangelo Pistoletto and new media with Peter Kogler at the Academy of Fine Arts in Vienna, the Argentine tango in Buenos Aires and fashion design at SITAM Vienna. 


Celebrating art and her creativity is very important to Rosa Ginger Berg and has taken her to a wide variety of places around the world. 

She has lived in Paris, New York, Buenos Aires, Italy, Spain and Vienna. 


At the beginning she devoted herself to the fine arts, painting, photography and mixed media works, only to later find her artistic expression in the Argentine Tango and its unique culture. For more than twenty-five years she has worked internationally as a dancer, choreographer and trainer of the Argentine tango, as well as director of her own tango academy "Pasional Tango Club" (Buenos Aires / NY / Paris / Costa Blanca / Vienna) and "Rosa de Tango" and has taken part in numerous international festivals, film- and tango productions and organized tango trips, milongas, festivals etc. 

For years she danced and taught with Carlos Forte-Berg (1999 to 2015),  starting with their own milonga in the famous Confiteria Ideal in Buenos Aires in 1998, they jointly founded the Pasional Tango Club in different continents / cities and were able to passing on their passion for the Argentine Tango to hundreds of students using a unique structured learning system that they created. 

In 2019 Rosa founded her art jewelry label La Maison de Ginger at the same time. 

Growing up in a family of artists and musicians, she assisted already as a child as a listener in the orchestra pit of the Graz Opera, where her father played the bassoon, in what was then and now the magical world of music and theater. Out of gratitude for these irretrievable experiences, she feels, out of her artistic responsibility, to personally approach art in a very authentic way, beyond the paths of the mainstream, and to discover and promote other artists as well. 


Rosa Ginger Berg appears at Moment Musical as a co-organizer, manager and founding member.


Raised in Buenos Aires, Argentina, Martin is the third generation of a family with a long tradition that transmits Argentine tango internationally: from the firsts milongas held by his grandfather Leonardo Acosta in 1959 to the most recently established Argentine tango school in London by his father, Leonardo Alberto Acosta and his partner Tracey Tyack-King. 

From 1999 to 2002, Martin was a student of María and Carlos Rivarola at the University of Tango to continue his learning until 2003. In the Same year he participated in the Tango World Cup, ranking among the finalists in the Salon Tango category. Martin has also been part of professional dance companies, such as R.E.A. Dance, with which he acted in the theater production "Broken Tango", "Tango Fatal" in Italy and Adriano Maurielo's company in the production of his work "Revelation" among others, Martín also appeared on MTV UK, in the video clip " The Music "(Lovelle & Ray Foxx). 

In 2011, he won the first prize in the 3rd Open Show Dance of Andalusia. In addition, he performed at numerous events and festivals, including the South London Festival in 2011 and the Vienna International Tango Amadeus Festival in 2013 and 2014. 

Currently Martin resides in Vienna directs the company "Our Tango" and organizes every year the Vienna Tango Congress


was formed in 1992 as ensemble interested in contemporary music. 

From the very beginning, it has been deeply interested to the Piazzolla repertoire and to Tango in general. Hyperion has taken part, during its 29 years of activity in over 1000 shows, festivals and theatres all over Europe, offering a wide repertoire ranging from contemporary Tango to traditional Tango. 

Since its foundation has collaborated with various renowned bandoneonists such as Luis Stazo, Juan Josè Mosalini, Daniel Binelli, Alfredo Marcucci, Josè Luis Betancor, Victor Villena; the regular bandoneonists in the Ensemble are actually Nicola Maceratesi and Gino Zambelli, while the singers are actually the argentinians Martin Troncozo and Hernan Godoy. Hyperion Ensemble is regularly invited to the most renowned Tango Festivals all over Europe: Paris, Brussels, London, Barcelona (Sitges), Istanbul, Tarbes, Porec, Athens, Torino, Rome, Firenze, Genova, Mantova etc. 

They have musically accompanied many Shows with famous international Companies and dancers like “Tangovivo” with Union Tanguera of Esteban Moreno and Claudia Codega, “Tango x 2 “ with Miguel Angel Zotto, “Tango Metropolis” with Claudio Hoffmann and Daniel Binelli, “Conceptango” with the company of Leo Calvelli y Eugenia, “TangObsesion” with the company Leonardo Cuello, “Tango Nuevo” with Roberto Herrera’s company and, others: in 2015 and 2017 Ensemble took part to the german Tour of Gustavo Russo’s Company in the show Tango in Red. 

In this occasions Ensemble has appeared in the most famous theatre scenes over Europe, such as Teatro Regio and Auditorium Lingotto in Turin, Gewandhaus in Leipzig, Teatro Carlo Felice in Genova, Darmstadtium in Darmstadt, Brucknerhaus in Linz, Die Glocke in Bremen Auditorium della Conciliazione in Rome, Dom Musyck a Mosca, Teatro Regina Victoria in San Sebastian, Trui teatro in Palma de Mallorca, Concert Noble Bruxelles, Mustafa Kemal Merkezi in Istanbul, Mohammed V in Rabat (Marocco), Blue Note in Milan … 


In 2019 the Ensemble did 2 intercontinental Tours: in Bali-Jakarta-Dubai (march) and in the U.S.A. (December). The Ensemble has often performed with others famous dancers as Sebastian Arce and Mariana Montes, Chicho Frumboli and Juana Sepulveda, Miguel Angel Zotto, Javier Rodriguez, etc. in several venues and Festival around Europe. 


Often the ensemble features soloists like Cristina Vilallonga, Sandra Rumolino, Silvia Lallana (voice), Franco Luciani (harmonic), Luis Bacalov (composer and pianist), Cesar Angeleri (guitar). Recently began collaborating with the singer Antonella Ruggiero in the show “Contemporanea Tango”. 

Has often performed accompanied by Symphonic orchestra, mainly with the 45 musicians of the Orchestra Filarmonica Italiana. Ensemble’s record production has released 9 CDs: “Livin Tango” (1998) – “Boulevard Tango” (2000) – “Corso Buenos Aires” (2005) – “Buenos Aires hora cero” (2006) – “Hyperion Live in Paris”, with the special participation of Luis Stazo (2008) – “Contemporanea Tango” with Antonella Ruggiero (2010) – “Epoca de Oro” (2011) – “Remembranzas” (2014), “Tango 9” (2016), “Hasta siempre amor” (2018).


Cantante argentina residente en Viena, apasionada por el tango: „Me representa. Lo llevo en el corazón. 

No lo canto, lo siento.

Argentine singer living in Vienna,  dedicating her life and passion to Tango.

''I don't sing it, I feel it'' No more words needed!


Graduated in piano and chamber music with full marks at the Conservatory of Sassari, the Academy of Music in Pinerolo and the National Academy of Santa Cecilia, he performed as a soloist with the Sassari Philharmonic, with the Youth Orchestra of Fiesole and with the Musicians of Parma for various prestigious venues, including the Vatican Museums, Ehrbarsaal of Vienna, Teatro Comunale “L. Pavarotti ”of Modena, Teatro della Tosse of Genoa, Sala Vivaldi of the National Library of Turin, Philharmonic of Rovereto, Bibiena Theater of Mantua, Municipal Theater of Sassari and Municipal Auditorium of Cagliari. 

He dedicates himself with particular passion to the chamber repertoire, collaborating with the first parts of Berliner Philharmoniker, Wiener Symphoniker, Teatro alla Scala, Arena di Verona, Orchestra of the Teatro Olimpico di Vicenza. Among the most significant concerts held in recent years, the performance of Pierrot Lunaire by A. Schoenberg with Sonia Bergamasco at the voice for the Festival "The Great Interpreters of Music" in Sassari and La Petite Messe Solennelle by G. Rossini with the City of Parma Choir for the “G. Verdi ”in Parma. 

He has collaborated with ADM Soundscape, a chamber ensemble specialized in the repertoire of the twentieth century, with which he has performed for prestigious concert companies and theaters, tackling some of the most complex contemporary works (Arpège by F. Donatoni, Tria ex uno by G.F. Haas) as well as several premieres written specifically for this formation. As a composer she trained at the school of Emilio Ghezzi and Paolo Ugoletti, publishing her works for the Swiss label Hat Hut Records and the Portuguese publishing house Ava Edition. 

He currently collaborates as a master collaborator for the Arena of Verona, the Salso Summer class & festival of Salsomaggiore Terme, Music and Nature of Porto Torres, in collaboration with the Masters Marco Zoni, Daniele Agiman, Antonio Amenduni, Alessandro Moccia, Marco Scano, Simonide Braconi, Cristhoph Hartmann, Marie- Francoise Pallot, Gabriele Croci, Vadim Brodski, Patrick De Ritis!


Mathias Kahler-Polagnoli born 1969 in Linz/Austria, son of Joerg Kahler, visual artist of the Austrian fantastic realism, and Veronica Polagnoli an artist herself. Early on Mathias took interest in the art of acting. 

He grew up at Lake Attersee/Austria, in Vancouver/Canada and Bolzano/Italy. By the age of 16 Mathias started taking acting classes at the Linz Bruckner-Conservatory. 

It was there that he was casted for his first theatre production.  

Since 1989 he works for many ensembles in Germany and Austria. In 1994 he made his debut on German television in the TV-series “Kommissar Rex”. Ever since he has been part of numerous successful TV, cinema and stage productions in Austria, Germany and Italy. 

Most recently in the Italian TV Series “Everybody Loves Diamonds (IT 2023) on Amazon Prime streaming. 

Today Mathias Kahler-Polagnoli lives and works in Vienna, Austria. 



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Der Wiener Concert-Verein (WCV) ist ein Kammerorchester internationalen Formats, das den ursprünglichen Namen der Wiener Symphoniker trägt und 1987 von jungen Mitgliedern dieses weltberühmten Orchesters gegründet wurde.

Das Orchester engagiert sich intensiv für einen Brückenschlag zwischen der klassischen Musik im herkömmlichen Sinn und der zeitgenössischen Musik. Der WCV versteht sich als Botschafter und Mittler zwischen musikalischen Horizonten, die keine Gegensätze, sondern wertvolle Ergänzung und Tradition darstellen. 

Dabei trägt er österreichische Kultur sehr erfolgreich weit über die Landesgrenzen hinaus. Bestätigt wird dies durch Konzertreisen nach Asien und Nordamerika, sowie durch das Konzertieren an bedeutenden Musikstätten Europas, wie beispielsweise der Berliner Philharmonie, dem Wiener Konzerthaus, dem Concertgebouw Amsterdam, Festspielhaus Baden-Baden und dem Tschaikowskij Konservatorium in Moskau .

Weiters wirkte der WCV bei bedeutenden Festivals mit. Hier sind die Bregenzer Festspielen, der Carinthischer Sommer, das Menuhin Festival in Gstaad, Dubrovnik Festival, Festival Mozart@Augsburg, die Festspiele Europäische Wochen Passau, die Haydn Festspiele Eisenstadt und die Wiener Festwochen zu nennen. 

Zudem unterhält das Orchester in seiner Heimatstadt seit 1993 einen eigenen Konzert-Zyklus für die Gesellschaft der Musikfreunde in Wien.

...mehr lesen


Prof. Patrick de Ritis wurde in Frankreich geboren, aufgewachsen in Italien.
 Studium am Konservatorium Santa Cecilia in Rom bei Marco Costantini und im Anschluss daran bei Milan Turkovic am Mozarteum in Salzburg und Klaus Thuneman.

Seit seinem 16. Lebensjahr erhielt Patrick de Ritis mannigfache Preise, Auszeichnungen, Wettbewerbe und Engagements auf der ganzen Welt als Solist und Dozent für Fagott und Kammermusik und später als Dirigent.
Seit 1991 Solofagottist der Wiener Symphoniker, viele Auslands-Tourneen mit dem Orchester, Mitglied des Kammerorchesters der Wiener Symphoniker
„Wiener Concert-Verein“ – zahlreiche Konzerte

Unter der Leitung bedeutender Dirigenten wie Georges Prêtre, Vladimir Fedosejev und vielen anderen - zahlreiche Solokonzerte in weltberühmten Konzertsälen in Japan, USA, Europa, China, Russland, Brasil.

Seit 1985 reguläre Unterrichtstätigkeit für Fagott und Kammermusik an der Musikhochschule L. d’Annunzio in Pescara.

Zahlreiche CD Produktionen mit Naxos of America, Slovart Records, Bongiovanni uA.
Gründer und Leiter des Bläserensembles European Wind Soloists.

Er ist Gründer und künstlerischer Leiter des Musikzyklus Moment Musical.





Sacha De Ritis, son of art, began studying the flute at the Conservatory L. D'Annunzio in Pescara with Maestro Sandro Carbone and graduated under the guidance of Maestro Vilma Campitelli.

He studied with M ° C. Klemm, Karl Heinz Schütz, Dante Milozzi.
He has collaborated with the following orchestras as principle flute and soloist such as Petruzzelli Theater in Bari, Sanremo Symphony Orchestra, Viotti Orchestra, Akademia Musicale in Varonezh, Ensemble European Wind Soloists.
He has recorded for Naxos of America and Wide Classique.
He was a flute teacher at the L. Cherubini Conservatory in Florence and currently holds the chair of flute at the A. Scontrino Conservatory in Trapani/ Sicily.
He is the artistic director of the international music competition "Città di Penne" and artistic director of the of the "summer encounters" music festival.
He holds musical specialization courses at important Italian and foreign institutions.

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